K-19: The Widowmaker Review
By Margaret Berry
He runs the crew through relentless drills, offers little encouragement, and seems to take unnecessary chances. We soon learn that Polenin -- who remains aboard the sub -- is a father figure to the sailors, while Vostrikov aims to inspire fear. These opposing command styles lead to power clashes throughout the movie, a la Crimson Tide.
After testing the missile, the crew is ordered to sneak past NATO bases and assume a patrol along the eastern coast of the United States. Along the way, mechanical problems threaten to launch a chain of events that would ignite the boat's radioactive cargo. A nuclear explosion so near NATO bases would invite international conflict between the superpowers, but there's no way to fix the problem without jeopardizing the entire crew. The command structure and the sailors' lives are threatened as the captains try to prevent World War III.
The biggest obstacle in a war film is often giving the audience enough information about a swarm of soldiers to make you care when one of them is hurt. The screenwriter gives the characters sufficient depth and tweaks the familiar war movie characters -- green enlistee, world-weary buddy, surly commander with a heart of gold -- just enough to make them worthwhile. Not surprisingly, Harrison Ford and Liam Neeson have good chemistry, though it is jarring to hear an affected Russian accent on the steadfast American Ford.
The submarine, as usual, is a strong backdrop for suspense. The setting is so pregnant with imminent bad luck that the audience is on edge well before things get going. Director Kathryn Bigelow plays up the sense of foreboding with fantastic cross-section shots of the ship that show you exactly how close the sailors are to potential disaster.
My only real complaint is that the movie is too long, especially in its indulgent conclusion. After nearly two and a half hours, I was more than ready to leave. If Bigelow had simply produced a solid action flick and left behind aspirations to drama, it would have clipped along nicely. Still, it's a satisfying summer blockbuster and worth a look.
On DVD, K-19 proves itself a real showpiece for those interested in Soviet history. In addition to a commentary, there are tons of documentaries about the making of the film, including numerous behind-the-scenes and before-the-production shots of the movie, including numerous research trips to Russia. Intriguing if you're an aficionado.
All together now... PUSH!

Facts and Figures
Year: 2002
Run time: 138 mins
In Theaters: Friday 19th July 2002
Box Office USA: $35.1M
Box Office Worldwide: $35.2M
Budget: $90M
Distributed by: Paramount Pictures
Production compaines: First Light Production, Intermedia Films, National Geographic Society, New Regency Pictures, Palomar Pictures (II)
Reviews
Contactmusic.com: 3.5 / 5
Rotten Tomatoes: 60%
Fresh: 101 Rotten: 67
IMDB: 6.6 / 10
Cast & Crew
Director: Kathryn Bigelow
Producer: Kathryn Bigelow
Screenwriter: Christopher Kyle
Starring: Harrison Ford as Alexei Vostrikov, Liam Neeson as Mikhail Polenin, Peter Sarsgaard as Vadim Radtchinko, Joss Ackland as Marshal Zelentsov, John Shrapnel as Admiral Bratyeev, Donald Sumpter as Dr. Savran, Tim Woodward as Partonov, Steve Nicolson as Demichev, George Anton as Konstantin, James Francis Ginty as Anatoly, Lex Shrapnel as Kornilov, Ingvar Eggert Sigurðsson as Gorelov, Sam Spruell as Dmitri, Sam Redford as Vasily, Peter Stebbings as Kuryshev, Roman Podhora as Lapinsh, Shaun Benson as Leonid, Dmitry Chepovetsky as Sergei, Christopher Redman as Kiklidze, Tygh Runyan as Maxim, Peter Graham as Danya Yashin, Shawn Mathieson as Stepan, Jacob Pitts as Grigori, Christopher Routh as Oleg, Lubomir Mykytiuk as Dr. Gavril, Michael Gladis as Yevgeny Borzenkov, Christian Camargo as Pavel, Ravil Isyanov as Suslov, Kristen Holden-Ried as Anton
Also starring: Ravil Issyanov, Kristen Holden-Reid, Kathryn Bigelow, Christopher Kyle